bjorg

4 Steps to Better Fashion PR Storytelling

All PR practitioners work hard and can relate to those “top 10 ways you know you work in PR” jokes. We all have goals that focus on getting clients and brands recognized and establishing relationships with the media and client audiences. However, unless you work in fashion PR, most PR agencies won’t have a style closet, interns busily stuff gift bags or be focused on how to get product X onto Y celebrity.  As a result, there can be some misconceptions about just what a fashion publicist does (or should do). Also, this can mean that fashion PR can often fly under the radar of mass scrutiny, getting away with being less strategic in its approach. Doing fashion PR well is difficult, but doing it poorly is really easy.

While there can be an element of smoke and mirrors (true in all PR) the objective of any fashion publicist should be to communicate with authenticity and honesty. Of course we want to showcase our clients in the best light possible. But just like lying on a first date, embellishing a resume, or saying you are fine when your boyfriend asks what’s wrong, it’s in your best interest to simply tell the truth. Why? Because people (read: target audiences) need to like your clients in order to pay attention, tell someone else or purchase. Because today’s customer is smart and will see through to the inevitable inconsistencies that will water down the brand if your story is grounded in anything but the truth. Because when acting as the mouthpiece for someone’s dream and business, it’s pretty important that you (the publicist) are able to communicate effectively, honestly and passionately about your clients. The good news is that consumers and the media will consider your clients if you allow them to connect to clients and brands through real authentic exchanges and stories.

However, let’s face it: sometimes client stories aren’t easy to tell. Sometimes they just aren’t that interesting.

Sometimes the photography is terrible or your client is a brilliant genius as well as a high-maintenance mess. No matter. Instead of crafting a larger-than-life take on a not-so-interesting product, brand or story – DIG. Dig for another angle. Be creative.

It’s easy to build up a mirage, drum up hype, embellish a little here and there but don’t. It’s not authentic, it’s not particularly ethical and it won’t help your client in the long term.

Here’s what you can do instead:

Probe for new stories

Relationships are built on sharing…sharing stories, ideas, experiences, wine and dessert! Think about all the stories your client has to share with their customers. The hours spent on a particular collection has a story. The inspiration for the collection has a story and could lead to a new pitching angle. (e.g. After a mission trip to Cuba, [insert name] was inspired by the people in the village. Her collection reflects the energy of the people. “When I was there I met [insert name], who told me [insert something inspiring].”) Stay in front of your clients and enough in their business to be able to extract a new story idea from an offhand comment.

Create stories by taking action

If there isn’t an exciting angle about a client collection or brand, time to create one. Read carefully: “Create,” do not make something up. No, really create something. Whether it’s an event, cause marketing initiative, a trip to Caracas, make it happen. Then talk about it.

One brand that often creates a visual story is the Norwegian jewelry line, Bjørg from designer, Bjorg Nordli-Mathisen. Watch their latest video collaboration Heresy. This advertisement, like others, garners varied PR reviews from fans and anti-fans due to its “disturbing” nature. Fans are encouraged to dig deeper to understand the meaning and create additional dialogue around her jewelry collection. Plus, it’s strategically launched with the introduction of her 2012 collection: Not All Who Wander Are Lost…which she refers to as a “story.”

When you find or develop a client story to share, you are closer to creating dialogue with the customer and media. Do not be afraid to be unique in your efforts. Whether it’s creating a funny, behind-the-scenes video spoof (e.g. A Day in the Life of [insert client], Why I need two cups of coffee before 10am…., etc.) or partnering with a local non-profit to craft an original story to share.

Tell the right story at the right time

Ever notice how you just “know” of famous people but you don’t see them “all the time”. Why? It gets old. Why do you think Fashion Week isn’t every month? Aside from the obvious fact that it’d be a pita (pain-in-the-ass) to put together every month, it’s set up to give people something to look forward to. That’s how it works with campaigns as well.

Keep your client’s voice active on social media platforms, but take advantage of the downtime to plan for the future and release stories when they will make the most impact.

If it’s not working, change your story

It may not always be an option to pick and choose which clients you work with, but it’s your job as a publicist to find the silver lining. If it simply cannot be done, pass along the client to another publicist who may be a fit. Find clients with whom you have a real, authentic rapport. Your passion for their stories will drive PR success.

Remember, there’s no reason to fabricate a story or tell a boring story. The whole truth and nothing but the truth will be good enough, when communicated in the right way.

 

 Image source

Fashion Editor PR Tips

What Fashion Editors Want You to Know about PR

Written by Taryn Scher

Reporters and editors are jumping ship to play in the PR sandbox. For the publicists out there that have no idea what they’re doing- how to write a successful pitch, and how to appropriately follow up without being annoying, this should be cause for concern.  After all, it only makes sense that a reporter- who knows what works and what doesn’t- would come over to PR and be far more successful than most who’ve been doing this for a while.

Over the past 3 years I’ve been lucky enough to serve as the local shopping expert on my CBS affiliate, and most recently as Fashion Editor for Town Magazine.

The lessons I’ve learned from being on the receiving end of pitches have been invaluable.

Read your email

Don’t waste a reporter’s time by asking questions that have already been answered. For example, in each email request I send out for my tv segments – I tell the publicist that I will send a link out to the segment as soon as it airs. Without fail, at least once a month I get an email asking how they will see the segment when it airs. I’m always so tempted to simply highlight the section in the first email where I wrote exactly how they’ll see the segment.

Do your own detective work

Nothing is more annoying than someone asking if a story ran when a simple google search or trip to the local newsstand or Barnes and Noble’s magazine rack could have answered that. If you aren’t resourceful you shouldn’t be a publicist. A simple google search will usually do the trick. On occasion if you still can’t find what you’re looking for, than by all means send a follow up.

Patience is a virtue

Don’t send an email to a reporter the exact same day a story is supposed to air or a magazine is supposed to come out.  Take a breath. Give it a day or two. Many monthly regional publications might be behind by a couple of days and don’t have their magazines on auto-upload online. Same goes for TV links. Relax.

Pitch what is being asked for

If I’m looking for gadgets, don’t tell me about your 6 other “fabulous” clients. Especially when it comes to holiday gifts. You must accept that not every product you represent is a “gift” worthy item. You’re much better off to focus on the clients that truly have a great gift idea, than muddle the whole pitch with products that really won’t work (Bed Bug Spray is not a gift- I don’t care what anyone says).

Don’t send unsolicited samples

Bed Bug Spray- I’m talking to you again- no idea who or where you came from, but I did not ask for it.

But, f you say you’re going to send samples, send samples

I can’t tell you how many times I’ve been expecting samples that never arrive. I call in just enough for my TV segment that I know I have time to air so if I fall short because I was expecting those samples, I have to scramble to fill the spot. I go back to the same people for TV segments with multiple clients and products because I know if I need samples overnight for an impromptu segment, they can help me out. If you can’t deliver than don’t offer them.

Don’t send daily follow ups and follow those up with phone calls

All of our clients want to know if they’re going to be featured. But you have to realize limitations on journalists’ ends. I respond to every single email once I’ve called in the sample. But when those emails start to become annoying- checking to see if the segment is still going to air, just checking in again- it becomes very annoying. Trust the reporter will do their job and send you the link when it airs. And know that with live tv, anything can happen. Same with print- nothing is a guarantee until you are holding it in your hands.

About Taryn

Taryn Scher is President of TK PR, specializing in luxury lifestyle, travel, food, wine and fashion. Taryn’s media achievements include articles and television features in US Airways Magazine, The Wall Street Journal, NBC Nightly News with Brian Williams, NPR, Fox Business News, O the Oprah Magazine, The Doctors, Men’s Journal, Real Simple, Time Magazine, People StyleWatch, Redbook and hundreds of others.

Taryn is a regular on WSPA’s “Your Carolina” morning show where she serves as a shopping expert and on WYFF where she hosts a monthly segment called “Schering Secrets”. Taryn is the contributing fashion editor for TOWN magazine. Taryn was most recently named the 2011 SBA Young Entrepreneur in South Carolina.

Image Source

 

Indie Fashion Spotlight: Edelweiss by Sarah’s Hint of Vintage

 

Edelweiss by Sarah, Fall 2011

Edelweiss by Sarah, Fall 2011

Independent fashion designer Sarah Brasher at Edelweiss at FadMashion

A true independent designer, Sarah Brasher combined her understanding of craftsmanship and tailoring from greats like Vena Cava, Elise Overland, and Maggie Norris Couture with her love of old movies and 1940′s silhouettes into Edelweiss by Sarah, the brand she launched in 2008.  Since then, she has nurtured Edelweiss through seven seasons, including all fashion PR efforts, resulting in initial press from Daily Candy, and a recent piece in Refinery29. Sarah also connects with customers through Facebook, Twitter and a blog.

Recently, she released a 2011 video  lookbook featuring models clad in delightful dresses dancing awkwardly (but adorably!) to some Taio Cruz. As the label continues to evolve, Sarah is looking to design new collections and build a true lifestyle brand.

Sarah posed the following question to PR Couture, and we called upon Polina Raygorodskaya of Polina Fashion to offer up her thoughts:

When are the best opportunities to contact a fashion editor?  What is the best way to invite them to events?

Fashion Editors are extremely busy people and they, like everyone else, hate their time wasted. Before you pitch to an editor ask yourself: is this “news worthy”? If I read about this in a magazine, as a regular reader, would I be interested in what is being said? If the answer is no, wait until you have something newsworthy to say. Events, new product launches, new developments or partnerships, all could be news worthy. When creating an event for your brand it is important to stand out and develop a theme with the event that will associate the brand with its brand personality and remain in the minds of the editors. For instance eco-friendly companies can partner with yoga studios, organic restaurants, organic beverages, etc to make the event more interesting and more appealing for editors to cover. As far as inviting editors to these events; send an evite then follow-up with a phone call to make sure they received it. An evite is just as effective as sending a personal invitation but the benefit of skipping the traditional route is you save yourself extra postage fees and the environment at the same time.

PR Couture has partnered with FadMashion to highlight their independent fashion designers and provide fashion PR & marketing advice